Showing posts with label Internet Archive. Show all posts
Showing posts with label Internet Archive. Show all posts

Wednesday, September 2, 2015

How to Survive Podcasting Catastrophes (Part 2) - Rainmaker to the Rescue



As mentioned last post, Internet Archives had suddenly dumped all my stuff and locked me out. They didn't like my bit.ly affiliate links, apparently.

So I was left with all these podcasts to re-upload somewhere.

I was looking to Rainmaker to solve this. And it will, once it goes live. This will essentially move that Blogger blog over to Rainmaker with all the text and everything. (Then I'll reset the iTunes feed and do a final post there - not yet, though...)

Meanwhile, I was stuck with the problem that people subscribing through iTunes were stuck - if I only hosted through Google Drive (to replace Enclosure Links from Internet Archive.)

What pulled me along was that Rainmaker is basically built on Wordpress. That means that the MP3 files are in there somewhere and can be directly linked. Rainmakers main benefit is that they've made it so nice to develop in with their interface - but that hides some of the "under the hood" action we geeks are used to.

The Search for File Hosting Begins

At first, I recreated a post, by copying the text and uploading the files from Blogger. Since I was working from late May posts (the first actual podcasts) - I quickly saw that this would be a very long series of actions if I had to do this for every file I wanted to host.

As well, since the site won't be live for a few days yet - I needed to see if I could simply host the files there right now and get around all the waiting. (Plus I didn't want to have to do these Enclosure Links twice.)

Right off, I figured there had to be a way to mass-upload all these audio files, just like Google Drive.

Sure enough, there was - just get into Edit Media -> Add New, and you can select and drag these files right over:


Now, what was that place they put them all? If I had the folder path for one, only the file name would be different.

Selecting one file, I hit "Edit Media" and found that the URL was there already. Go to the right column and look under Save:

Selecting that file gave me the direct link and folder structure to all of them. Simple.

Now I only had to use my original file name, matching these up with what was originally linked - then fixing the folder path, and I was really cooking.

Here's the original compared to the new:
  • https://archive.org/download/20150530PublishebookPodcast/20150530-publishebook-podcast.mp3
  • http://livesensical.com/wp-content/uploads/2015/09/20150530-publishebook-podcast.mp3

So it's simply replacing that folder path for each one, since I uploaded the same files and the names wouldn't change.

While I have that post open for editing, I also had to replace the Archive.org player - which broke when they nuked my files.

So I used the simple HTML5 player from last time - as I haven't found where there's an embed code for Rainmaker's built-in player (yet.)

Again, just copy that Rainmaker link and paste. Simple. Voila! Fast updating with simple editing.

- - - -

Just finished updating all the episodes - took over 3 hours for about 20 or so episodes. Most of this was waiting for Blogger to come up. That was probably my own satellite broadband rather than Google.

Now I'm up to date and you won't get interrupted with earlier or future episodes.

The only problems I ran into was where Archive.org and Rainmaker had different opinions about how to handle spaces in file names ("%20" or "-"). I would then look it up on Rainmaker and copy that exact file link. Only happened about 3 or 4 times.

So - now we're done.

What did we learn from this?

Never sharecrop if you can afford not to.  What you're saving is money, but you could be saving time.

This is what the Rainmaker.fm podcasts are drilling into my head these days. I listen when I'm doing mundane things - and have even figured out how to listen when I go check my cattle twice a day - about an hour each time to make the rounds of my herds and pastures.

You leverage money in order to save yourself time. But at the beginning, all you have to invest is time. So:

  • Work smart, not hard. 
  • Get efficient as your middle name.
  • Begin with the end in mind.
and - 
  • Be flexible.
- - - -

Be sure to opt-in above or over at livesensical.com, so we can continue this and other conversations. And so you don't miss a single episode of these white-knuckled, hair-raising, cliff-hanging real-life adventures in self-publishing.

See you next time.

Why Digital Sharecropping Means FAIL - And How to Survive Podcasting Catastrophes (Part 1)


Just had all my years of files posted to Archive.org vanish. Gone. Erased.

Videos, PDFs, everything - gone.

Of course, that also means all the podcasts to this blog.

Thanks. Much.

No email, just - "your account is locked" when I tried to login.  Checking my back posts found all their links removed. I have today's post here and another on a different blog - because it was posted accidentally using a different login (one that Indian author I've been telling you about set up and gave me access to.)

All the various things I'd posted are now vanished. Most of it I still have on my hard drives - somewhere. Some of it should never have been posted. Many of these were tests.

No, I don't know why.

Good thing I'm moving to Rainmaker. (More on that below.)

But this is what I've mentioned (on one of those podcasts) that you don't want to digital sharecrop any longer than you have to. Because all of your stuff could vanish on you - quite suddenly. For me, it was within an hour of posting (or less - it took me that long to revisit for a new post.)

But as to why Archive.org locked account and removed all files - there's little on line. One point (which I already suspected) is "commercial intent." I did absent-mindedly put two bit.ly affiliate links into my last post (they were in the blog already.) That's all it took. Years of content gone.

Of course, I turned around and created a new archive.org login - which I've read isn't always possible. I'm not going to tempt fate by putting up the same offending files - even though I could probably get by with no descriptions (ignoring SEO, not wise.) With what I now know (ouch) I'll probably have that account for years more.

The scene with these digital landowners is to keep scammy marketers and spammers off their turf - and yet are prostituting the content which is freely donated to their sites. Content marketing is turning yet another corner - and the phrase "Native Commerce" has come to envelop those who provide content, but also unashamedly ask people to buy their valuable products or services built from that content.

The trick is - you can't do both. All the digital landowners can pull your sharecropping license anytime they want. This is usually when you try to earn income off their hosting. Non-profit or for-profit, their business model is in having people donate or pay them for access. Meanwhile, they can run ads to defray their operating expenses. If you are a threat to that income stream, then off you go.

Your best solution is to simply work from the very few honestly open platforms (or, like Blogger, recompense their sponsor, Google, by providing user information) - and build up your income to the point of bootstrapping your business into being able to invest in paid-for services.

Meanwhile, what do we do for our podcast now that Internet Archives kicked us out?

Looking For a Cheap Replacement 

The biggest problem turns out to be two.

If you're going to host podcasts somewhere, they have to have huge bandwidth capability (when you become really popular) and they should fit into iTunes technical feed demands.

I did look up possible replacements, but it's mostly seems that you can't host without paying, basically. One possible replacement - Google Drive.

But another post says that you then can't make an iTunes feed from Google Drive hosted-MP3's, for a similarly arcane technical reason. In other words, it will play just fine on Android, but not on anything Apple. Your files will be available on Stitcher, for instance.

Well, having 50% of all mobile devices out there can't be all bad...

And it was simple enough to re-upload all my files to Google Drive again.

The next two problem areas showed up immediately: Can I get an embedded MP3 player like Archive.org had - and how do I get the file name to enter as the enclosure link?

Getting a nice little embedded player.

This could be trickier. This code will work on a blogger blog. (note: the code itself tended to start running when you go back to Compose mode)



That's all HTML 5 code, so it works in all modern browsers. (There are Flash versions, but these are disappearing gradually.)

Let's see:


https://archive.org/download/20150901SellingBooksOnlineAdLib/20150901-SellingBooksOnline-AdLib.mp3

When editing the blog post, it shows up, but doesn't do anything until you hit "preview" or actually publish.

Ok, that new archives.org file works just fine. But Google doesn't give you a  usable link for MP3's you post there:

https://drive.google.com/file/d/0BzcJYAW7eXsyZ2llbE5SVGhYbVk/view?usp=sharing

One workaround is to use their embedded viewer. (Found by going to Google Drive, right-clicking on the file itself and selecting "preview", which will overlay in your browser window and start playing - unless you turn the darned thing off. Then go to the upper right corner and click "pop-out". This will then give you a static window in a new tab. Clicking "more actions" on the top menu bar enables an embed code to show: 


Note the width and height sizes there. change these to a width of 400 and a height of 100 and you'll get a nice little player like this: 


(If you mouse-over, you'll see a little pop-out option in the corner - nice to get your file playing elsewhere via social sharing...)

How to get a Google Drive MP3 file name is tricky.

But once you get it set up, you have unlimited amounts of audio files to share.

You have to get the folder file name. (Thanks to StackOverFlow for this discussion and image.)


Then you paste it into the following URL:

http://googledrive.com/host/[folder-name]/[file-name.mp3]

That filename is the original name exactly as you uploaded it.

I started out with a folder like this:

https://drive.google.com/drive/folders/0BzcJYAW7eXsyfkc5LXZSaFVrM3lJazJwR0R6QmN0MmsyeWF3TDdaaXlpSjFwMnV1UDROa3c

and then created the file-name address as:

http://googledrive.com/host/0BzcJYAW7eXsyfkc5LXZSaFVrM3lJazJwR0R6QmN0MmsyeWF3TDdaaXlpSjFwMnV1UDROa3c/20150530-publishebook-podcast.mp3

(Use a generic text editor and copy/paste.)

Note: The folder has to be shared as "Public on the web" ("Anyone can find and view"), not just "Anyone can view", or it won't work.

This then worked well with the embed code above:


Testing it in the Enclosure Link showed that Blogger accepted it. Yay! We're now podcasting with Blogger.

Is it worth it?

If you're doing this from scratch, I'd say so. It's a way to get started.

Of course, you could just avoid my mistakes and continue using Archive.org without offending them somehow (I did, for years.)

Again, the idea is that you run a frugal, sustainable home publishing business. One that pays its own way, not continually borrowing from your day job income. Eventually, you'll get your sales up to the point that it's covering all your broadband, domain, and hosting costs.

A bit above that is when you can get into a Pro hosting scene such as Rainmaker, which has unlimited storage and bandwidth, plus enables your podcasting with better analytics than anywhere else (or so I'm told.)

This will be part 2 of this - where I actually port all these files over to Rainmaker, and then embed their player on all these older posts here.

Despite other plans, I'll need to do this today in order to get everything running properly again.

But then the old phrase is right: "Man plans, and God laughs."

- - - -

Make sure you're opted-in above or on livesensical.com so you don't miss a single white-knuckled, hair-raising, cliff-hanging adventure in self-publishing.

And feel free to email me back with any questions you have. I answer all of them - either directly or with a blog post/podcast.

See you next time...


Friday, August 22, 2014

Adding a New Distributor for Book Discovery

More multiple eyeballs to add to your list of book-buying promotional outlets.

Adding to the list of Book-buyer promotional outlets with Open Library
(photo credit: Jackie)

Which means more discovery and more sales = more income.

Found it when I was chasing down a new series of books which had fallen in the cracks.

Actually, I've been stumbling on it for some time - over and over. Finally saw through my own fog.

Open Library (http://openlibrary.org)

An offshoot of the Internet Archive, this enables people to access an online lending library of ebooks, plus also buy the print version. It's that last item we are interested in, of course.

You are the first to see this as another income source. I've not seen this come up anywhere else. It has the features of being able to offer free books and yet help people buy a copy of their own.

It seems straightforward, but takes a little work. You upload your ebook to Internet Archives - which at this writing makes it free (more research coming.)

From their help section:

I wrote a book, and I have it in digital form. Can I make it readable on Open Library?

Yes! It's a three step process.
  1. Create an account and upload your book to the Internet Archive (you will need to set up a second account to do this, you can't log in with your Open Library credentials).
  2. Create a record for your item on Open Library by clicking the Add A Book link in the header and adding the proper information.
  3. Add the Internet Archive ID to the Open Library record in the ID Numbers section. To do this, click Edit to edit the record, scroll down to the ID Numbers section and add the Internet Archive identifier which is the last part of the URL. As an example for this book, the Internet Archive ID is historiaephilipp02just. Adding this link will activate the "read" buttons. Make sure you click "save" at the bottom of the page when you are done adding the link to the Internet Archive.

What's fascinating is that you can add ID numbers from Amazon, Google, Lulu, Goodreads, LibraryThing, Shelfari - all sorts of places.

You can see from that short list above, that this is a nice way to promote the book. Goodreads, LibraryThing, Shelfari - these connect your book to you as the author, and have author pages, etc.

This doesn't help you if you don't want to give your ebook away.

However, this is also a way to get your hardcopy versions sold.

For this test, I submitted a book which I had slated as a free promo anyway: https://openlibrary.org/books/OL25616736M/Breezy

It's not limited to giveaways

While I'm working on figuring how to only "loan" books, you can meanwhile promote your hardcopy editions through Open Library.

What this does is give more link-love to your booksellers. This the makes the search engines more likely to offer your books to searchers.

Oddly, I'd recommend a hybrid approach. Both ebook and hardcopy have distinct ISBN's.
  • Google's ebook link will also offer the hardcopy versions.
  • Amazon.com giving an ebook version will also list the hardcopy versions.
  • Shelfari will bring up Amazon's data, so this makes it simple.
  • LibraryThing and Goodreads have to be manually edited to make the book show up, so I have more research to do on how to get these showing up. 
  • Many authors use Goodreads to communicate with their audience, so this is a probable site to include in promotion.
You will use the ebook to get hardcopy sales. If you have an option, the general rule is to use the ebook ISBN, unless it specifically asks for a hardcopy ISBN.

The probable sequence 

This would be to do this as promotion immediately after your publishing to all the ebook distributors.
  1. You already have all your meta-data in Calibre and this is open on your  computer as part of the publishing sequence.
  2. You set up all the distributors with their own browser tab for uploading your books.
  3. Open Shelfari, LibraryThing, and Goodreads in additional browser tabs.
  4. Last tab: open OpenLibrary.
  5. (You published your hardcopy along with your ebook right?)
  6. Of course, you link in your hardcopy with the ebook where you can. (Amazon is supposed to do this automatically - in a couple of weeks, they say.)
  7. Amazon will take a couple of days (or maybe 24 hours, if you're lucky) to clear - so enter your data, so you're going to have to port your meta-data to Shelfari, LibraryThing, and Goodreads manually.
  8. Once you've posted everywhere else, then port your meta-data to OpenLibrary, and scrape the ID's from the others.

More promotion possible. 

Shelfari and Goodreads (both owned by Amazon) are good places to also connect with readers. I don't but I'm not in that phase of promotion right now. If you have original works, this is a probable place to start.

The pre-sales aspect of this still needs investigating. However, since all the key distributors have enabled this, it's feasible you could do promotion to your fan base for an upcoming book.  For Amazon, the general strategy is to make it available at a low price and then raise it later, after you have the number of reviews you need to get their also-bought algorithm's attention. (Amazon doesn't value free reviews like they used to.)

The key value of adding in these four discovery sites is in getting all these sites cross-linking with each other and your various versions of the book you just released. The search engines will help drive your discovery, but the only way to get your book into their sights is to put multiple remote outposts on authority sites.

Admittedly, this brings a new research line for marketing via these type sites - doing a real book launch instead of simply publishing first. It's on my list for research.

Your distribution sequence now goes:

1. Lulu (for IBSN)
2. Amazon (takes longest approval)
3. iTunes
4. Nook
5. Google Play/Books
6. Nook
- - - -
7. Shelfari
8. Goodreads
9. LibraryThing
10. OpenLibrary

From #7 on down, it's use is promotion to drive discovery.

The key advantage is because you are publishing public domain books, these will now all start showing up with your book, particularly if it's unavailable other places. Public Domain books are peculiarly long-tail in search format, so you should have no problem getting several of the top spots on Google with your book versions.

Additional notes

Goodreads will import from a page with ISBN's on it, as well you can upload a spreadsheet or text file.

LibraryThing will also import your books that way. Exporting those files is here.

Shelfari also has that import function.

What was mentioned on Shelfari is that you can export your books in a format they can then upload - so once you have done the work to get a series into one of them, you can then export and import to accomplish it on the other two.

Shelfari will import a simple list of ISBN's, so this might be a short cut. (I'll try and then then you know...) Since you generally work from a spreadsheet with a batch of books, this could make more sense than not. Saves you importing all sorts of meta-data if they do it right.

Goodreads wants all sorts of data as a CSV file. If we can get Shelfari to do this for us, then we are that much ahead.

LibraryThing will import from Goodreads. This gives you a nice file, but will need to be tested for import into Shelfari.

Sequence right now is to give a list of your ISBNs to Shelfari, then export from there and import to the other two. (Under testing...)

[Update: Testing of these shows that LibraryThing does the best import, but exports some CSV file which doesn't translate.

All three of these will import (they say) from an html file - so this shows the path, create a page with your series and include the ISBN's. Make sure both print and ebook versions are available.

So insert a step into the above sequence of filling out your landing pages fully (including creating a series landing page) with all the ISBN's plainly visible.

We'd import from Shelfari, but this will take some time for the books to clear. The idea is to get it done simply and not have to return in a few days - when you should be setting up other marketing steps or selecting your next series of books.]

The key point is to import into OpenLibrary. The rest of these are nice-to-haves. You can later springboard from these as social channels if you want.

But that's another article, another time.

Friday, May 2, 2014

Some copyright notes - where to check for public domain issues

Some places to check for copyright orphans before you give up on that great public domain book.

How to check for copyright before sending your public domain book to the press.
The safest approach is to only use books printed before 1923. That limits what people want to read, though, since the language and grammar is quite a bit different from what we use today.

However, there are tons of books which were "orphaned" between then and now. I don't need to bore you with copyright law right now - it gets a bit involved.

Best shortcut I know is Public Domain Sherpa's flow diagram - or their easy to use calculator.

What you are looking for is checking a book you found to see if it was ever renewed. Just because it's being published by someone today doesn't mean it was properly renewed. They may be simply publishing a public domain book. Perfectly legal.

And this is why it's often profitable for an self-publisher to get in on this scene.

So: was it ever renewed?

Using that calculator or diagram will give you a quick approach to finding out - but you still need to check if a copyright was renewed.

One online shortcut is Stanford University's Copyright Renewal Database. This covers 1923-1963, by tracking renewals up through '77. Another approach is to get Google's XML file (it unpacks to a huge 300+ mb!) and search through this yourself. (I found a program called Base-X which doesn't choke on it. I'm on Ubuntu Linux, though - your mileagewill vary.)

The advantage of that last one is finding where someone has copyrighted a revision of the original work, which happened to both Dale Carnegie's "How to Win Friends and Influence People" and Robert Collier's "Robert Collier Letter Book." The original of both of these is in the public domain, but not the revisions (in both cases done by relatives.) Dorothea Brande's "Wake Up and Live" and "Becoming A Writer" have dubious renewals, since in one, the author's name is mentioned as part of the title, and in the other it has Brande as a co-author. The only way to be really sure may be to have the copyright office do a $150/hr search for you. (These above examples from cursory search only and do not constitute legal anything.) As well, they have a tough row to hoe as there are so many free versions of these books out there, they would have to be challenging quite a few places all at once. (Lawyers cost big bucks even then they are only churning out boilerplate ceast-and-desist letters.)

It's possible to look up the actual record from the Copyright Office - via Internet Archives for anything before 1977 via those PDF's. Everything 1978 and later is in digital form, and can be searched online directly. You'll probably find the Stanford site or that mongo Google XML file is all you need to look up renewals.

And that was the point today - to get these links up so you could search yourself.

- - - -

Now, what do we do with this? 


Once you've found out that it's never been renewed, or it never had a copyright notice to begin with, then you can do whatever you want with it.

If you want to claim a new copyright, you can make a derivative version of it, but realize that you only have rights to the material you added - even if you quote the entire book.

This is where I was going around with the "coordinator" from Kobo, who insisted that I put my books in their 20% royalty set because they contained the whole book. That's not what any law says, but it is the way she wants to run her fiefdom.

You can go ahead and publish your books on other sites without a problem, providing you follow Amazon's rules about public domain and announce them as such. B&N will also allow you to publish public domain material directly. Along with Kobo, they offer low royalties for these.

The profit is then in derivative works or collections which are definitely not in the public domain (except on Kobo, where you "still have the copyright." while your books now earn you squat.)

However, you can publish hardcopy versions of these with abandon, derivative or not. Know that there is a lot of competition for the popular versions. POD costs are higher than bulk printing, so it leaves you to find other options if you try to compete on price.

The money looks to be in how you market these to your audience. PD books, if they were ever successful originally, already have a demand for them. By doing the scene of building an online publishing house, you can start attracting traffic to buy these. Some search engine marketing may net you a few sales.

While we're on that subject, getting your newly-copyrighted book up on GooglePlay will help you link to your own landing page for this book, as well as the print editions you've posted via Lulu.

(Why Lulu and not CreateSpace? Createspace is now going to about everywhere Lulu has been going to all this time. The problem is that they are an Amazon entity, so indie bookstores and big box competitors may not want to stock your book. This is exactly what happened to Ferris' 4-Hour Chef. Had he simply published it via Lulu, he wouldn't have had to market it through bittorrent.)

I'm leery of putting up a book on Amazon (or Nook or Kobo) with the original PD title without following their requirements. That could get all your books banned there. But there's nothing saying you can't get that book linked to your hardcopy version, or that you can't sell the same book as your own via Lulu and GooglePlay. Same price, higher royalties. Fun, huh?

PLR


With the exception of Amazon, you can treat PLR with a broader stick than PD books. Amazon simply won't take them - unless you almost completely re-write them (which is still faster than doing all that research again - you can verify their facts as you re-write) and can compile several of their shorter reports into a decent-sized book.

But when they come with decent covers and a word .doc or openoffice .odt file, then it's simple to convert them into ebooks and also print books (again, they usually don't have enough pages unless you combine them.)

One of the crossovers in this is where they are giving away a PD book as PLR. So you really need to simply check the copyright sites above first, but you'll also find that people have already published these ahead of you.

After that, it's like a different brand label slapped on the generic detergent box. The marketing is the difference.

As ebooks, I haven't had any problem getting the main distributors besides Amazon (and Smashwords) to accept and sell them. 

Next for me is a 30-day workfest

With the outline above, you can see that I'm getting ready for something.

I have 100 all-time topselling fiction books which I want to get out so people can learn from the time-proven successes on how to write in that genre. It's going to take awhile, but I can get these published and use them to link to my sites and other books meanwhile. (I have written 4 books now on how to write and publish, with these blogs forming the backbone of a fifth on its way.)

As well, I have over a hundred PLR books on various subjects which only need conversion, as well as linking to a backing site to add value (and capture emails.)

If I do 8-10 per day for 30 days (think: NaNoWriMo), then this is somewhere around 250-300 books published in 30 days.

The point of this is to build a huge backbench so I can cover my expenses and invest the rest in marketing - while I find out what sells well and back these up with marketing, finding what doesn't sell and revising these in title/cover/description/content until they do.

I've got to go now, as I'm already a few days into this month and don't have today's quota ready...

Luck to us all.

PS. There's a dirt-simple to check a copyright - look up the book on Gutenberg.org or Internet Archive (archive.org) - they'll tell you a lot about copyright and save you having to search or doubt.
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Saturday, February 22, 2014

DIY Audiobooks for the Self-Publishing Authors - a Review of Sources

Selfpublishing audiobooks is harder than indie author ebooks - but can be done.
(photocredit: mlibrarianus)

How to publish audiobooks can be learned by indie authors - this is a review of places you can, just maybe, get your book published.


Like ebooks, you first encounter the shadow of the Amazon Monster before any word is recorded. Through their purchase of Audible.com, and that exclusive contract with iTunes, there are few other options to getting your audiobook published.

That said, there are many options to augment your ebook (and its hardcopy cousin) with audio files in packages and bundles.

This is all building on my earlier research, which started when Matt Stone of Archangel Ink contacted me about doing an audiobook of my current Kindle Hit, "How to Completely Change Your Life in 30 Seconds."

As I didn't know much about this, I started researching. This post continues the research which was noted earlier and actually started with this entry. (Meanwhile, a sidebar also showed up on another blog of mine.)

Those two posts say how to do this in general terms, introduce you to the concept that Amazon owns the space, and you can get started with podiobooks as a method of improving your "chops" so you can submit a professional product that ACX won't reject.

The next question: Are their alternatives?

Short answer: Yes, but not many. (Practically: 3-4, depending on your approach and expected result.)

To begin with, none of the existing, major self-publishing ebook distributors (except Amazon and iTunes) deal with audio books, or will even distribute CD's for you. Lulu used to, but quit a year or so back. There are rumors of GooglePlay starting this up - but nothing substantial yet. B&N will sell your CD's (and maybe MP3 downloads)  if you can get them over there.

There are a handful of places which actually do this outside the Amazon tourniquet.

(A blog post by Joanna Penn says that this contract with iTunes may be expiring soon, which will may change this scenario.)

While music has made this transition (despite the ham-handed efforts of the Big Music Publishers) - you can now download pretty much any MP3 from any music distributor - there aren't yet the same capabilities for audiobooks.

In short, there hasn't yet been the breakthrough which ebooks have experienced (thanks primarily to efforts of Coker's Smashwords, I'm sure.)

At this point, it looks like we are still some years away.

Why do audiobooks and go through all these painful hoops?


It is pretty much laid out in a blog post on Copyblogger:
I was at a dinner that Amazon had for self-published authors last October.

One guy who was making a solid living self-publishing science fiction novels told me that he always made an audiobook. I thought this was a horrible idea, and told him so.

But two things about audiobooks:
  1. He said, “When people see you have an audiobook, they see your book as even more credible. It stands out from the average self-published book when you have an ebook, a print version, and an audiobook. Plus, the audio book is more expensive, so even though there are fewer sales, it’s decent money.” By the way, if you self-publish, always do a print book at the very least. Even if 99% of your sales are going to be ebook.
  2. I asked the head of an ad agency what marketing tips he had for me for my upcoming book. He said, first thing, “Make an audiobook. For your kind of book, people will love listening to it while they drive into work.”

Short answer: Credibility, which means more sales. Your book is an ebook, your book is a hardcopy (even better if you put the hardback up there), and your book is an audiobook. Looks like someone is taking some professional interest in this. Now you have a choice of what you want to buy. And on Amazon, the "deal" is always the ebook, which is cheaper than anything else.

It's going to boost your sales, even if you don't sell many audiobooks themselves. 

You simply don't know what sales you're missing until you get something up there. This has been true for ebooks since the beginning - and is why you need to be on all the major and minor distributors out there - they all have slightly different readers, audiences, and (most importantly) different "recommending" algorithms.

Also, when you can package audio with your ebook, it's adding value. Gives you multiple price-points.

So, now that you're sold on creating your audio book, what are your options?

A small handful - about three or four out of the following:
Audible via ACX. This is the 900lb. gorilla in the room. Either have your work done professionally, or prepare for the learning curve necessary to become a pro at this. This is the only DIY route you can use to get into iTunes and Amazon. Nowhere else will post your audio book here that I know of without paying through the nose. Again, quality is required.

Podiobooks. How to give away your audio book chapters for free. Costs you monthly hosting with Libsyn. Does link to your ebook and iTunes. Has a suggested donation price. Their mentoring program will bring you up to speed - which may enable you to get your book past the ACX quality hurdles once you "graduate."

Internet Archives. Again, free. No quality hassles. They host your files - whatever you upload. You can link to your website in the description, and it also has an embeddable player.

Soundcloud. Free, with premium options. Hosts your sound files and makes them embeddable. If you go over their limits, some of your tracks become hidden. (Premium un-hides them.) Internet Archives widget probably a better deal. However, this is more socially-connected - but you can't promote a buying link (unless your item is on iTunes or GooglePlay where you can search through an app.)

CD Baby. A one-time fee for them to burn and warehouse your CD. That's about it. No MP3 downloads of individual tracks that I can find, although they enable this for music. You're apparently able to promote somewhat, although all the FAQs and descriptions are for bands and music.

Kunaki. They simply burn and dropship your CDs (and DVD's) for you. Recently, they enabled a service where they'd collect your price, take a split, and ship the disc, with the rest of the money going into your PayPal account. But you have to sell one of each disc every 180 days, or they delete the files.

iAmplify. These deal with video and audio downloads. They don't check quality per their FAQ, but can remove content on their own prerogative if they want to. Premium ($250/year) gives you your own page to sell your stuff. They have an embeddable ecommerce widget to sell directly from your site page. You get 70% of direct sales, 40% of affiliate sales (yes, an affiliate program, so your listeners can make money by selling your stuff.) Only pay publishers every 90 days, Affiliates get paid monthly. (I see that you can also sell re-curring payment memberships here...)

OverDrive. This is the one which should be gotten into, as it serves libraries and many retailers with CD's. Apparently the only real competitor to Amazon/Audible. More research to do here, as this is a direct line to retailers for ebooks as well as audiobooks and even videos. Per their blurb: "OverDrive is a leading multichannel digital distributor of eBooks, audiobooks, music, and video." There will be a follow-up post to this one, as it looks very promising. No apparent quality check on submitted content.

DriveThruFiction.com - says they deal in all manner of digital downloads. Exclusive gets you a 70% commission, non-exclusive 65%. Will also print books and cards for you. They seem true to their gamers roots, but the fiction site would apply for digital distribution of your fiction audiobook.

Spoken Books Publishing - only want professionally-mastered audiobooks submitted. Here's where the 11,000 words = one 72 minute CD. They make money from both recording and also mastering your CD.

eBookIt! While these guys are essentially another Lulu (although not as well organized) with epub conversion, POD, etc. they also do digital audiobooks. They submit to Audible, Amazon, and iTunes for you - for a cut of the royalty. Books must be of Audible-acceptable quality.

CreateSpace - this is a dead end. Will only allow 72 minutes of a book (one CD's worth.) Basically no support for audiobooks - but could get your CD onto Amazon. (Forum link is dated, but I haven't found a better explanation.) There is also creating DVDs on demand, but that emphasis is for films.

Self-mastered, self-sold.
  There are many places who will master and duplicate your CD for you. Then you will need to sell and deliver them. Amazon Advantage will take a certain number and sell them for you on Amazon (you do the sales copy writing, natch) and they take care of fulfillment. Kunaki can also burn and ship them to Amazon on your behalf. Otherwise, it's having stacks in your garage and you deliver them as you can. Ecommerce, and all that. Takes the fun out of it, a bit.

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Boiling down this stew...


The stand-outs above are iAmplify and OverDrive, since you can get started right away. Right now, these seem to be the only real alternatives to Audible/Amazon/iTunes. OverDrive should be able to get you into B&N and anywhere that does digital downloads. Like your ebook, you'll have quality issues unless you are an excellent editor. Going through Podiobooks Mentoring program would be advised. iAmplify looks cheaper, but has an affiliate program. No bundling that I can tell.

It would seem that the time you spend with Podiobooks in improving your delivery would be one of the best investments you could make. With multiple books, you could then DIY any number of these and upload directly to ACX and anywhere else.

As covered earlier, if you want to pay for professional recording, then this would make things much simpler. Your book goes right into Audible/Amazon/iTunes and you can also submit it to OverDrive and anywhere else. If you're already overloaded with titles screaming to get out of your head and onto paper (and you have a day  job to cover expenses) then it might be better to have someone else do the recording - particularly if  your book is moving up the Kindle ranks.

While you can get away with submitting almost anything to iAmplify, I'd want to only submit professional quality to OverDrive - because of where its going to wind up. Your reputation on B&N and other major retailers would suffer if there were a high volume of returns - and could affect your regular book sales. Regardless, the work you do should always be your best. And later work should continue to set the bar higher.

If you are simply doing the audio book for promotion - or to include as a bonus in a package or bundle on LeanPub or an affiliate site like JVZoo or PayDotCom, then quality isn't so much an issue as authenticity. Plus, you'll just get better as you keep doing them.

Your approach to this (the end result you want) and your resources, will determine which of these above you should use.

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Notes on Public Domain and PLR

My business model currently has expanding the number of titles I publish by using these types of existing content. For Public Domain, most of the true bestsellers are already available on Librivox and others. The time you spend to make new recordings may not be worth it. While bundling these might be viable, you'd also probably want to encourage donations to Librivox to support their efforts (plus make substantial dono's of your own.) You'd have to wonder why someone would pay you for a single download instead of going to Librivox to download them there for free - but at least you can give them an offer... Ethically, I can't see going through this hassle just to make some profit - better would be to give a sample and encourage their donations.

Finding public domain books in niches and then creating audiobooks for them would be very valuable in niches. The audiobook would be your copyright, regardless  - books in the public domain converted to audiobooks would be copyrighted based on the performance, as any audio rights were also forfeit.


PLR would fit nicely into audiobooks, since many of these are short reports (unless you combine them - which is an editing nightmare of it's own, since the writing styles vary.) If you are re-writing these, then you have every reason to create an audiobook and reap the profits. Creating a one-file audiobook to match the content would set up nicely as a package or bundle. Some more recent PLR already come with audio and video files, so this is worth looking into.

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Final thoughts. 


For the professional product, get someone to master them for you. Hunt around to find quality at low prices. I was found by Archangel Ink and found them completely reasonable, so I bit. Route: ACX/Amazon/Itunes/OverDrive

There are some other products where I will do some combination of PLR or own recordings, or existing public domain recordings (depending on original source.) Route: Leanpub/Affiliate sales sites.

In other cases, I'm going to start podcasting my blog posts, which will then eventually become an audiobook as well as ebook. Routes: 1) Internet Archives/Soundcloud/iAmplify/Leanpub, 2) Podiobooks mentorship -> ACX, etc.

The training route would be to start podcasting your blog posts first, while you upgrade your equipment and home studio. Migrate to Podiobooks mentoring and eventually you can submit to ACX directly and you'll be on the High Road to profits from there on out.

[Update: Publishing audiobooks through Findaway Voices is another option. Larger, non-exclusive distribution.]

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Your thoughts on this would be appreciated. Leave a comment if you can.
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