Well, you're either going to be amused or offended.
I didn't originally plan for the book to come out this way - it was going to be a "serious" piece. But here's the first draft.
The parody part has to be worked over so it flows through the piece. "Richard Saunders" needs to have a progressive realization about himself by the end.
The cover isn't final, as I haven't done all the keyword research needed to make this one show up well, even with the crass humor.
Please leave your suggestions on how it could be improved in the comments. Or if you have questions on how I described something that needs to be clarified.
It's around 11,700 words long and was written to this point in 2 days.
I promised to share this, and here it is:
- - - -
J'APE: Just Authored, Published, Etc.
How to Publish Your
(Kindle) Book for Cheap Publicity and Money
- a parody
by Richard Saunders & Robert C. Worstell
with thanks to Guy Kawasaki and Shawn Welch, plus a host of
"little people" and their many ebooks (see Bibliography
[link]).
Visit Midwest Journal Press [link] for more material that didn't
fit into this ebook.
cover photo credit: NY skyline by “wwarby” from
flickr
Why This Book is Good for You.
[Because you deserve a break from all
those serious and pretentious books which tell you all about how to
make incredible amounts of money, get outrageous fame, and then
retire to some beachfront property to count your millions while
sipping non-fattening semi-alcoholic drinks. Oh, yes, you get to
write a book to do all this.]
This concept nearly fried my brain. There I was, relaxing after
yet another speaking engagement (where people pay me ungodly amounts
of money, plus expenses, just to come out on stage and tell everyone
how I had the solutions to their problems) and I picked up another
magazine (one which didn't have my picture on it) and saw that one of
my erstwhile friends had just launched his new book and it was
becoming an overnight bestseller.
Immediately, I got on the phone to my agent and demanded to know
why
I didn't have a bestseller that was climbing the
charts?!?
And then he told me something
rude: he wanted me to
write
one. Write? What?
Me?!? And then he continued to rub salt in
that wound - my agent said that the reason that book I saw was
selling well is because that friend of mine
self-published it,
and that
self-published ebooks are all the rage right now. And
they were real easy to create, not like a regular book - but once it
started selling, we could get one of those out also. Amazon was
selling tons of these ebook things and loved it because ebooks didn't
cost anything to ship or store them. People were writing ebooks
because it was easier than having to print out manuscripts and ship
them off to agents, then wait months for inevitable rejection slips.
Of course, the idea of getting rejected rankled me all over
again.
So after my agent apologized, he said he knew a ghostwriter or
two, and could probably set me up with someone who also knew how to
make an ebook.
That's how I met Robert. Well, I never really met him (I mean, he
lives on a farm in Missouri for gawd's sake - who would ever want to
live there? Once I had to stop in Chicago on a layover and the
airport was positively atrocious. And just look out your window –
it's all
flat out there.)
Our arrangement was more like: he would email me stuff and I would
read it and send back my notes on how it could be improved.
I think that with my guidance, he got a pretty good book together.
Plus he works cheap. (Actually, for letting him put his name on the
cover, I didn't have to pay him a dime. What a
deal.)
Robert insisted on putting all sorts of links in the book which go
all over the place. He says it's because that helps people get more
value out of the book - and it makes me look smarter (if that's
possible.)
He also says that this book is out of date the moment it's
published, but he'll try to keep it updated with later revisions on
facts and figures as he can. (What a nice guy - as long as I don't
have to pay him for it.)
If you want to contact me for Interviews or Appearances, here's
the link: [link] Oh, and that's where Robert hangs out too. FWIW. ;)
Preface
The trick to having a successful ebook (or anything, actually)
is listening to, but not following, what passes for "conventional
wisdom". The bulk of humankind is involved in some very
stupid actions right now. And if you look over what they are doing
right, you'll see that there are just a handful of people who have it
figured out. Those are the people making all the money and running
things. Sure, they are complained about and politicians are always
publically chastising them to get votes (and accepting their money
privately to pay for their expensive campaigning) - but the point is
that it's just a few people know how any particular industry works.
It's no different for self-publishing.
This book came about, along with all the snarky parody, because
what's often being told isn't the fastest or most proven way to go about
writing, publishing, and selling your book online. But people are
selling a lot of solutions out there. There are a lot of potholes in
almost every ebook (or book) currently published on this process.
Rough ride. And they have a few blind alleys you are going to have to
find.
The reason traditional publishers are losing money and going under
(along with bookstores) is that the Internet is speeding things up.
If it's digital, it's cheaper to make and store and sell and deliver.
Legacy publishers and bookstores aren't keeping up and are being
forced to change - or go under.
It used to be that almost no one could ever get published, because
the editors were so picky. They had to be, because books were
expensive to print and books had to sell enough to be profitable -
over and above what it cost to print them. So maybe 1-3% of all
manuscripts would be looked at, and about .05 percent were actually
published. Agents knew the ropes of how to pitch all these different
publishers and what a good contract was.
Now days, you don't have to have a contract to publish. So you
don't need agents and you don't need publishers. But they have their
uses, since they can do a lot more for an author - like all that copy
editing and cover design (which we'll get to). Of course, you lose a
chunk of your royalties in order to pay for that, but if you are
selling well already, then this can free your time to simply
concentrate on writing as good as you possibly can.
And frankly, I got tired of listening to the nonsense being passed
as “gospel truth”.
The way this book is written is extremely basic. What you see here
works. It's not that it couldn't be done otherwise. But we'll link to
those who have done and are doing it, as well as some examples of
(ahem) misleading souls - but the latter will be pointed out as doing
just that, and why.
The biggest point about this short book is to get started with
what you have right now. Everyone starts on the same page with this.
It's called being born. The more you buy into ideas that you have to
have a lot of money to buy or hire this or that before you can get to
your next step - the more likely you'll never arrive at that next
step.
The worst possible thing (beyond not publishing at all) is that
you publish a book which no one ever reads. And that is as bad as it
gets. Only gets better from there. Look - VanGogh never sold a single
painting in his life, and Emily Dickenson only saw about a dozen of
her poems published in her lifetime, out of thousands she wrote.
But by self-publishing, at least that story is now out of your
head. And you can get on with your life, or write the next one that
shows up. And as you keep writing, you'll get better at it. Like
anything.
By the end of this book, you'll know the basics and where to go
for more information.
One other point. Get off this "problem" of being
self-published. Some authors make a big deal out of the "stigma"
of being self published. Practically, there isn't any. Maybe there
used to be, back when it was called "vanity publishing".
People will know you by your book, not by how it got into their
hands.
If you can produce a quality work that gives them what they want,
then they'll want to buy your next book, too.
Why the emphasis about Amazon?
Look, if there were an elephant in your living room, sooner or
later the conversation is going to be about it - or how to care for
it, or how to clean up after it.
Amazon, though it's losing market share, still sells more books
than anywhere else. That said, you'll be missing a lot of sales, if
not most of them - for some authors - if you don't work with Amazon
and their quirks.
One is that their format is proprietary - means you have to have a
Kindle or a kindle-reader (which you can get for any computer,
tablet, or smartphone.
)
The second is that they have a little eco-system of their own (a
bit inbred at times, perhaps) that has it's peculiar quirks. However,
if you design your book to take advantage of those quirks, it will
generally do fine on the other distributors.
The one suggestion I have is to build your ebook on the most
broadly-accepted format (epub), which is accepted by all the
distributors who allow direct uploads by authors. And the reason we
are here is self-publishing, so...
A comment about KDP Select.
Outside the hype, it's quite a mess, actually. You take your book
out of circulation on other distributors so you can have certain
benefits on Amazon. You'll never know what sales you missed when you
did this. While I'll get into this later, the overview strategy for
regular ebook income is to have several books on your “back-bench”.
They'll all sell for good or worse, year-in and year-out. The
composite income is what will allow you to replace your day job
(eventually). If you want to try KDP Select, then try it with a new
book, then put that book into circulation when you're done with their
90 days. And by then, you can have another new book to enter, and so
on.
You may find that the extra work you are required to do in order
to have your book a success on KDP Select will be distracting you
from your writing, which isn't a good thing.
Later on, I'll give you some book links from the Bibliography
[link] which address Amazon's program.
Why do I link back to my website – isn't that self-serving?
Of course it is. But the distributors want you do to this – you
see, they are all jealous of each other. They won't carry your book
if it has a lot of affiliate links or links to other bookstores. And
while you can include a book on Amazon which links to Amazon books,
you can only sell that book on Amazon. While means to get the most
out of every book you write with the least amount of re-work, you
send people to your own (or someone else's) site which can offer
books from there.
Social sites and communities are the same way. It's great to give
out links as long as they go somewhere that isn't directly yours.
Which is one reason using social media to market is so hard, if not
down right impossible (more on that later).
People don't want to be sold. And book distributors don't want you
selling anything but their books.
The happy medium is to use something called “Permission
Marketing” by Seth Godin. You give away free stuff in exchange for
someone permitting you to email them – which is where you can send
them sales offers. Weird, but sales got themselves into a bad mess by
being pushy. The solution is to be a market leader and a bit
standoffish – like “well, yes I can tell you more about this, but
you are going to have to find my profile and click on that site
link.”
Very inefficient.
So the solution is to learn how the distributors
want you
to write, publish, and market - which is Amazon for now, since it's
been dissected a dozen ways to Sunday.
So let's get you started.
(Writing)
Chapter 1 - How to Write a Book.
If you need a reason, then decide to do it for the money. No,
seriously, people have all sorts of reasons to write, and the main
one is that they like to talk to people and tell stories - or have a
story in them that is itching to be told.
When you are a celebrity like me, it's just natural for everyone
within earshot to drop whatever they are doing and come to listen to
my stories.
But I understand other people can have a problem getting what they
want to say on paper. And many people can't afford ghostwriters, so
they are pretty much out of luck. Well, not really.
What they need to do is to learn how to write. And there are 3
books you can use to learn this:
"Becoming a Writer" by
Dorothea Brande,
[link]
"On Writing" by Stephen
King,
[link]
and "Elements of Style" by
William Strunk Jr. and E.B. White.
[link]
The main point is learning the discipline of writing, which is
SBIC: Sit Butt In Chair. King covers this with his point of simply
not leaving the chair until he has 2,000 words cranked out. Brande
has other techniques to teach yourself this discipline, taken from
her 1920's writing class - which are still pretty applicable today.
Writing isn't always easy, but if you learn the basics right, it
gets easier the more you do it.
The main point is to listen to the voice inside you more than the
ones outside. Be true to your own style, your own actual story as you
hear it. King has more suggestions on reading daily, which will give
you more ideas of how other writers put sentences together in order
to wring the best content out. The point is that you want to write it
the best you can, and then copy-edit it to perfection.
Copy-editing
Copy-editing is best done by someone else, who can give you tips
and ways it can be improved. C.J. Lyons (who's sold her own million
copies of books) says it really consists of 3 steps: review,
revise, rewrite.
Now don't figure that you need to have a copy-editor before you
start. Amanda Hocking started out by copy-editing her own books (as
well as making her own covers) and then when the money started coming
in, she hired freelancers to do these for her. So it can be done.
Chapter 8 of Kawasaki and Welch's "APE" (sound
familiar?) gives many linked sites to find copyeditors.
[link]
The key point is to write it as best you can, and then edit it as
perfect as you can. If you don't have someone else to help you tweak
it the last little bit, that's fine. Once it's done, you're ready to
publish it.
What Else Goes In There
Forget those old dusty tomes like Chicago Manual of Style. (Good
for pressing flowers, or impressing guests, though.)
They reason
they are dusty is because they aren't needed for ebooks. All those
rules are for printed books to make them look nice and read well.
Bottom line: your ebook needs to be read from a smartphone. Not
everyone has a tablet, but almost everyone has one of these things -
even "primitive" African villages. When means you need to
get to the point right off. People don't want to wade through all
this junk about you and your book before they can start reading.
The other reason is that Amazon takes the first 10% and makes it
into your preview.
So, like this book, it goes:
Cover
Title
Copyright
Why This Book is Good for You.
Somewhere in the middle of this, Amazon cuts you off and you want
to find out how the story ends. And that's why it's like that.
You don't really need a table of contents, as that is built into your
ebook and people can access it with a touch. Blurbs and reviews
should be on the site where people buy the book. KISS applies (Keep
It Simple, Silly).
The same thing happens at the end. You ditch everything else to
your website - because Amazon wants people to leave reviews, which
they prompt you to do when you have one of their readers. You want
them to leave a review (we'll cover why below), but you also want
them to visit your site - so you can offer them more valuable stuff
they can use.
You don't want to clutter up the back with stuff people won't want
to read. Your book should be like a subway car – no frills. When
the ride is over, they know what action they need to do. The
conductor is staying: “Please leave a review on your way out.”
So there isn't any real "front matter" or "back
matter". Get them started and then put the rest on your site so
they can go right to it. That's why hyperlinks were created, after
all.
You want your reader to do 3 things:
- Enjoy your book.
- Leave a review.
- Visit your site to get more valuable stuff like the book they
just finished.
- (And there is telling a friend about it – but that's really
because of #1 above.)
All that other stuff is great for printed books. But you'll do
another round with your editors for that one. Right now, we want to
take your masterpiece and get it online.
What do you write with?
Anything you have at hand. Seriously.
There are no better or worse equipment you need than what you have
within reach. Mostly, it's some computer that works, but now days,
people are writing on tablets and even iPads.
You want something that will save your work and not lose it. And
it has to be able to produce a text file without a bunch of extra
code in it that you can't see (the common complaint about Word).
I suggest you get a simple text editor and save your work often.
(Happened in this book, even. Lost power and a couple of hours worth
of work. Oops.)
People who say one computer or program is better than others is,
well, let's be polite here: it really doesn't matter. Use what you
have. Get started now.
When you're done, and its the best it can be, then you can publish
it...
(Publishing)
Chapter 2 - How to Publish Your Book
You don't need much more than a decent computer to get started.
No, don't go buy one. If you have one that starts up and keeps
running, it's probably fine.
The programs you want to use are those you are familiar with.
Most people use Microsoft Word. And if you want to publish your
book with Word, there are at least 3 good write-ups to use for this:
Amazon
[link]
Lulu.com
[link]
Smashwords
[link]
Personally, I use free software to get everything done. Here's the
lineup:
LibreOffice (a version of Openoffice)
- reads and can save as Word documents.
[link]
a plug-in for this called
"Writer2Epub"
[link]
Sigil
[link]
Calibre
[link]
and GIMP to make covers.
[link]
Here's a video which tells you the rough sequence of making a book
with this lineup: [link]
I tell people to write out on a simple editor like Windows
Notepad, then copy/paste it into LibreOffice and format it simply.
Basically, use styles to format your text. But don't specify styles.
Let the reader do the work of making your text read well. Remember,
we're formatting for the lowest common denominator, which are
smartphones. Many of these can't override fancy styles, which will
make your book uncomfortable to read.
Simply:
- Drop in your text. Don't specify any font for anything. Leave
them default (which is usually Times-Roman for text and Arial for
headings).
- Style the title and main sections as Heading 1
- Style the chapters heading 2
- If you have subsections in those chapters, you can either
make them Heading 3 or simply bold them.
- Other rules:
- Use numbered lists, but put hyphens instead of bulleted
lists.
- Don't add extra spaces, period. That includes between
paragraphs.
- Graphics are maximum 450 pixels wide and 72 pixels per inch.
- Center all graphics on their own line.
- Replace any tables with graphics.
- Make your text aligned left, not justified. Smartphones can
butcher justified text.
Again, test it on your own smartphone before you upload it. If you
can read it, and like it, then go ahead and submit it. Tablets do
fine with text that reads well on a smartphone. The reverse cannot be
said reliably.
The more complex it gets, the harder it is to make a decent ebook
out of it. (Things can get so bad that J.K Rowling's last ebook
couldn't actually be read on some of the ereaders. They had to take
out all the "improvements" so it could. You know
that cost
some money.)
If you want to make it how it will show up on a tablet, then
format the page to 6”x9”, which is also trade-paperback size.
When you export it to PDF (for proofing), you can see a lot of errors
that way. And while Writer2Epub will do this, you can make a new page
(press ctrl-enter) before all the Heading 2's – just so you can see
closer to what it's going to look like.
The main point is that you don't have to do something exotic and
special with your text – and it's better if you don't. Simple gives
you a shorter runway, which is all you need to take off.
Market Research
While this is part of sales, you need to know it now before you
finalize your book. Reason for this is that the title and subtitle
are on the cover, and most distributors are picky about your title
and cover saying the same thing.
You need to know what keywords people are using in their searches
to find what you're writing about. And you want to know what keywords
they use to buy something you write. These are 2 similar, but
different types of keywords.
When people search on Google, they are
looking for free information.
When people search on Amazon, they are
looking to buy.
Google will send potential buyers to Amazon (and other
distributors), but people on Amazon are looking to buy. So you need
to know both sets of keywords.
Google has a free tool called Adwords Keyword Discovery Tool
[link]. This will tell you what keywords people are looking for, and
in what volumes. If you can afford the one-time expense, I recommend
you get a tool called Market Samurai [Link] which will give you far
more data about who is looking for your book-subject and what they
are looking for.
Amazon is a little tricker to use, but it's pretty obvious when
you start using it. When you type in a keyword into Amazon's search
box, a little window drops down to give you alternative searches.
These are in order (as far as anyone knows) by the most popular
searches. So you want to make a note of these.
The strategy for finding all of them is alphabetical. Go to Kindle
Books area first. (Otherwise, you get all manner of keywords, as
Amazon sells lots of stuff.) Type in a word or part of a word and see
what comes up. Then add an "a". There's more keywords for
you. Continue down this line and fill in the rest of the letters.
Then add a "b", and so on. Time consuming, but very
relevatory.
The warning here is to do it all in one sitting, or at least don't
go away from Amazon and come back (even if you do get up and go to
the fridge for another beverage). Because Amazon will then give you
your keywords back again, figuring that this is what you really want.
And that might be nice of them, but it will skew your results,
obviously.
You choose keywords by how much they are searched, as well as
relevance to your book. So use your best judgment about what your
readers are looking for. Again, compare Amazon to Google so you have
the best of both worlds. You want people to find your book on Google
and then come to Amazon to buy it. If they come to Amazon some other
way, you want any searches within that site to find your book - and
buy it.
Now, when you finalize your title and any subtitle (that's more
for non-fiction than fiction), you're ready for the Cover.
Cover
This is a postage stamp version of your book. Go mess around on
Amazon for awhile, and you'll see a lot of covers that are
fascinating, and a lot more which are worthless. You want to study
the ones which grab your attention.
But what are you seeing when you look at a book? It's literally
about the size of your thumbnail, which is why they are called
"thumbnails". And that is what you see first, with or
without the title.
What makes a good cover is:
- Readable title
- Attractive image
Both of these need to be recognizable at that tiny size. You don't
have to be able to read the subtitle, but it shouldn't be so
obtrusive that the graphic is wiped out. In short, Big Text, Big
Picture.
Covers currently need to be 1400 pixels across the top and taller
than wider. All at 72 DPI (pixels per inch). Smashwords has a good
explanation for this here:
http://blog.smashwords.com/2012/06/new-ebook-cover-image-requirements.html
The trick, as Mark Coker points out there, is to design big so it
can be shrunk small. If you enlarge small artwork, it looks - well -
crummy.
If you know how to do graphic art, then do your own covers. Amanda
Hocking did the covers herself for her first few books. Then started
paying someone to do these as the money started coming in. But you
might be able to swap copyediting or something else (lawn mowing,
babysitting) for some one to make you a cover if you're all thumbs in
this area.
The more you look over books, the more you'll get an idea of what
a good cover looks like. Just peruse the bestsellers in your genre or
category and see what they are coming up with.
Once you have the cover done, you are finally ready to finish
formatting.
Publishing sequence
Let's update our sequence:
0) Edit in a simple text editor.
1) Drop into LibreOffice.
2) Format all the text into paragraphs
(text body) first, then format your headings.
3) Run a spell-check.
4) Export it as a PDF and start the
copy-editing process.
5) When you're done with the tweaks,
revisions, and re-writing (and this means re-proofing,
re-copyediting) then you're ready to export it via Writer2Epub.
6) Here's where you need that cover.
7) Then check the resulting file in
Sigil. Run an epubcheck to make sure it passes. If not, it can be
fixed there - just double-click on the error and it will open up the
code page. It's really not hard to figure out what needs to be
changed, but it Sigil can be pretty arcane at times.
8) Once it passes there, then open up
in Calibre. You first want to see how the book looks in it's built-in
viewer. Here's where you can either tweak the single words in Sigil,
or go completely back to LibreOffice to fix major errors which only
show up now. Then you'll have to re-export to epub, re-check in
Sigil, and re-import to Calibre. Your choice. Make it as perfect as
you can get it.
Metadata
This is a description of the data. Meta literally means "change",
but for our use, it describes how your book is different from anyone
else's.
You need to put in accurate metadata so people can find your book
and buy it.
The types of metadata you'll need right off:
- Title
- Subtitle
- Author
- If it's part of a series
- Tags
- Publisher
- Description
There's other metadata in the epub file itself, which are mostly
self-generated (like the table of contents). What we are concerned
with are these points.
In these points are those which help a person decide to buy your
book.
This is where you really need your keywords again. The title was
just part of it. Now you want to write a bang-up description. You get
4000 characters in Amazon's description, which is about 800 words.
But the great part about ebook publishing is that it's quite
forgiving. If you find something you'd like to improve later, you can
tweak this to your heart's content. Actually this is what marketing
is all about. There are millions of people going to get more ebooks
every day. All we are doing is working to make your book more
discoverable. There's no way you are going to get more than a small
percentage buying your book – which is all you need to make
yourself a million-seller author (or simply get enough sales monthly
to replace your day job.)
This is why I recommend Calibre, as it keeps all this data in one
spot for every book you write. And this makes it easier to get posted
to your distributors – just copy/paste on every submission you do.
E-tailers: Who, What, Where, and How
Most of how you publish is hidden behind banks of fog created by
all the hype floating around.
Amazon has long been the elephant in the room (or perhaps
“gorilla”) because it pioneered this area of online book sales.
But while they used to have 90% of the market, this last year's
estimate had them down to about 50%
(
http://www.karenbaney.com/retailer-market-share/
).
And while people are passing around the Kool-Aid about keeping
their books on KDP Select, authors who do that are simply missing
other sales. The continuing argument is whether those extra sales are
worth it – but people who are only on KDP can't tell you.
For me, it make more sense to be in front of as many distributors
as possible.
In addition to Amazon, there's Apple, Barnes & Noble (for
now), Kobo, Sony, Diesel, and a few others. Those first four make up
around 95-99% of all the ebooks sold. And the competition is
shrinking Amazon's pie slice (in addition to some of their misguided
decisions.)
A short description of the top 4 says that both Amazon and B&N
have some uphill climbing to do to regain any market share. Apple has
the best reputation for helping new authors, while Kobo is all
international and only does ebooks and readers.
My own experiment down this line, publishing about a dozen books
to the main four – with no promotion – showed that Apple did the
best, and Kobo delivering ½ of Apple's sales, with Amazon bringing
in ¼ of the Apple sales and B&N at zip.
Aggravating Aggregators
There's always more money in market teaching people how to do
something than there is in the sales of that industry itself. That's
a rough rule of thumb. Because over 95% of people looking for
information in any area don't know what they are doing. About 3-5%
have taken the years necessary to really learn the craft. And
somewhere in there are people who have learned enough to sell books
and materials to others on how to do it. This last group is making
most of the money on the first group.
Like I said earlier, this book was inspired more out of
frustration with what is being pitched, as well as a need to help my
friends avoid the potholes and ditches along this road. As well, this
whole process is a test of the data I've found out to see what really
works.
Most of the junk out there is useless, and it's being spread by
people who are mostly just parroting the popular spin for one reason
or another.
Aggregators are in the business of profiting off you publishing
your books. They post your book for you and then take a split off
your royalties. If they can, they'll sell you additional services to
copyedit, format, cover-design, and anything else you need for your
book.
My approach is to keep it so you get as much back as possible, so
you can actually publish with nothing but your own sweat equity.
In general, just say “no”.
That said, I do recommend two:
Lulu.com [link] and
Smashwords. [link]
Smashwords is the oldest and will publish every where for you.
Amazon only takes published works from Smash words if they are
already making money. So the simplest strategy is to publish with
Amazon and Smashwords. Both take epubs now, or Word docs.
Lulu.com is able to take your epub or Word doc file and publishe
to iBookstore and B&N. The other thing they do very well is to
publish your hardcopy version and ship it to Amazon (as well as other
places for a small additional fee.) I used Lulu because frankly Apple
iTunes and B&N are the biggest hassle of all – picky and
persnickety. And having my print and ebooks all in one interface is
worth the small slice Lulu takes for handling them. Plus, I get paid
monthly with Lulu into one account. (Note: having a print edition on
Amazon at the same time as the ebook version can reportedly raise
your sales of both by about 40%.)
All that said, my books would probably do better on Apple (and
sell anything at all on B&N) if I would place them there
directly. You can see with the research I've been doing for this book
that I'm reconsidering my own advice above.
The reason is
categories.
On Amazon, you get 2 categories to put your book in. Obviously,
you want to pick categories which have the least competition, but are
still appropriate to your book (see this [link] to Amazon categories
– free download!)
On B&N, you get 5, and on Apple you get several [and it's
ridiculous what I have had to go through to find out that they have
more than one. If they don't approve my author application shortly
(it's already been hours) I'll wrap up this book without it].
On Kobo, you get 3 (By the way, they approve your author
application immediately, as do Amazon and Lulu).
But if you use Lulu – you get only one single category.
(However, Smashwords isn't much better, as they give you just
two.)
This means my marketing isn't going as well as it could be (and
probably
the reason I'm not getting sales on B&N.)
So this will be trading off convenience for more aggravation in
the interest of increased book sales.
One other aggravation – Google Books. These guys really aren't
serious about selling books. Even though they are on every Android
smartphone and tablet out there. The main use I see for them is a way
to get more links into your books on the major search engines. So
it's not something you do to get your book published, it's something
you do to get your book promoted.
But let's not forget Scribd.com – these guy's only aggravation
is that you have to submit a PDF. So when you are creating your print
version (it's a simple export directly from LibreOffice) make sure
you send a copy their way. And they'll sell it for you. Also, you can
bundle several PDF books into a special offer, which none of these
others are able to.
Examples of picky and persnickety – TIP:
If you want to save time in posting to iBookstore/B&N take
this particular phrase to heart:
* Your eBook has been rejected for
improper capitalization. The first letter of all words in the title,
subtitle and author name should be capitalized, except for the
following words: a, an, and, for, from, of, or, the, to. The first
and last word of the title and subtitle should always be capitalized.
This just came in as I was writing this page, on a book I
submitted a couple of weeks ago through Lulu. And I thought I had it
right. But print out that phrase and post it somewhere above your
monitor when you submit anything. You also can't use a title which
has more or fewer words than is on the book cover itself – and this
includes subtitles. (They don't object if you didn't capitlize
“properly” on the artwork, though...) That holds true for Amazon,
but they aren't
as picky.
It can take weeks to a month to hear back from iBookstore on
whether a book was approved. This is why I use Lulu.
But you can see why Smashwords made it's “meatgrinder” so
exact – it's what these other companies want that they submit your
book to. Another reason to go with Smashwords.
Sequence of publishing
Once you have a epubcheck-passed epub file and all your meta-data
loaded into Calibre, my simplest approach is this:
Lulu – gets you a free ISBN, which
you can use elsewhere. This takes care of iBookstore and B&N
without having to sign up separately.
Kobo – gets you the categories
you'll need.
Amazon – 'nuff said.
Smashwords – if it's not PLR-based
or Public-Domain-based
and when I have a few ebooks ready to
go, Google Books.
Then create the print version, publish it through Lulu and also
Scribd.com
- - - -
So now your published. Let's look at getting you some sales...
(Marketing)
Chapter 3 – How to Sell Your Book Online
What is Marketing?
Simply, Marketing is best likened to an archery match.
Your customers/clients/audience are shooting arrows down field,
hoping to hit the target.
As a marketer, you are moving your target in front of where they
are aiming.
The trick, which is easier on the Internet, is to pick archery
ranges that have more archers than targets. Think this through –
why should you also have to compete with other marketer's target's
for just a few archers?
In ebooks, we have the curious scene where people are setting
their targets up sideways, or not even trying to get them where the
archers are shooting at. And this makes your job easier as well.
The reason for this book is that most of the people with ebook
targets don't know how to set them up to be hit.
How to approach ebook marketing -
With an open mind.
I've been studying a lot of this material and it's related links
for years. Literally. Maybe around a decade by this time.
And I've been scammed intermittently along this line (well, not so
much after I took some time to research and write a book on the
subject [link]
The recurring datum that keeps coming up is that around 97% of the
data out there isn't useful to you. Mainly because it's not tested.
The other reason is that a lot of these systems can be gamed. And
once someone “let's the cat out of the bag”, then the first few
people who hear about it and use it can make all the income. Everyone
else is buying a system which no longer works.
Ask Google about how come they have to change their search
algorithms all the time. And this is exactly why Amazon has to also
(which we'll talk more about later.)
The point is to use these techniques and make them work for you.
A good book is one which will match up with other data you've
already proved workable for yourself and see others applying them
regularly.
That doesn't mean you have to test everything, but it means you
are going to find a handful of people you trust to always recommend
only after they've tested it for themselves. Like Perry Marshall.
[link] Prolific output, and has studied copywriting intensely. Or
Copyblogger. [link] Or Problogger. [link] All of these good at what
they do, and constantly delivering valuable stuff you can use right
now (and also promoting products you can use to improve your life and
or income.
People who churn me around by using ebooks as just another part of
their (ahem) “money-making empire” - like Ryan Diess, Joel Comm.
I've bought both their ebooks as part of this research. And regretted
it. Because they were only filled with data I already knew – and
was mostly the parroted hype which goes around these days. However,
we can use my experiences a little later to show you how to avoid
wasting your time.
One more note: A book I do recommend is “Make a Killing on
Kindle” [link], even despite it's title. Because this guy knows
marketing and has figured out what does and doesn't work. I've got a
few more on that Biliograhy page [link], but this guy wrote a stand
out book and isn't there to sell something else with it. And while I
cover some of the points from this book, I'm not going to repeat very
much of it, just send you to excerpts I've posted (for free) that you
can use to help you with publishing your book. Otherwise, I'll send
you over to by his (the only way I can, which is by an indirect
link.)
What actually works
I'm going to cover this first, as it will give you something to
compare other strategies against. In that way, you can decide for
yourself.
These are going to be links to sites where actual studies have
been done. In some cases, they'll lead to collections of studies I've
assembled for my own research on this – and of course yours to
benefit from.
Writing a Damned Good Book.
This is emphatically stated by C.J. Lyons (who has sold over a
million copies herself.) Her series on how she did it is here:
http://storify.com/robertworstell/how-to-sell-a-million-books
This is all collected on one page, since it's buried in her blog
otherwise.
You want to get the data on a Taleist survey they did on over
1,000 volunteer authors. In this, they said that out of the top
earners (which they defined as people making enough money to live
on), they spent much more time on writing their next book than they
did on marketing or anything else. Here's a good descriptive link:
http://www.epublishabook.com/2012/05/28/self-publishing-statistics-women-fare-better-than-men-at-making-money-from-self-publishing/
and the actual study is on Amazon, but Taleist has video clips to
watch:
http://www.youtube.com/channel/UCTtNnJkRagXdKITR-YyDC6Q
One author states that the way a fiction writer is going to
succeed is to go back to the commodity or “pulp fiction” roots
and simply crank out a bunch of material which readers consume:
http://janefriedman.com/2013/01/08/self-publishing-future-of-fiction/
(My summary of this report – and some other conclusions - is
found at
http://storify.com/robertworstell/how-amazon-was-gamed-to-death-by-a-thousand-self-i
)
Make sure your book can be found and browsed
Mark Coker did another survey – wish I had some “official”
ones, but these are what have been done in the area – on mobile
readers, finding that browsing is a big part of book sales.
http://www.the-digital-reader.com/2011/09/26/how-ebook-buyers-discover-books/#.UPAECeC-ylg
And it's amplified a bit more here:
http://writenonfictioninnovember.com/2011/11/29/rethinking-book-marketing-why-discovery-matters-more/
The point is that as an indie self-publisher, you aren't going to
be launching a huge and expensive campaign to get people buying your
book.
The standard in this area is a free book you can download from
Smashwords [fix link on final]:
http://www.smashwords.com/books/view/145431
“Secrets to Ebook Publishing Success”.
There is a salient quote from this which lays out how such a
marketing campaign would run:
"In an ideal launch, you’d have
a large number of media placements (print media, radio, blogs,
advertisements) hitting at the same time. You’d provide hyperlinks
to your books at the different retailers, so you could get a large
number of customers to swarm the retailers in a short period of time.
This would increase your velocity, which would cause your sales rank
to spike, which would lead to greater visibility in the bestseller
lists and the also-bought lists.
"Try to involve your fellow
authors in cross-promotional launch promotions, especially if you
write in similar genres or topics.
“If your fellow authors can provide
you promotional access to their fans, such as in a promotional
mailing to your mutual mailing lists, or a guest blog post on their
blog, then these fans will spur on the "also-boughts"
algorithm so that your book might appear in the "also-boughts"
of their book pages (because their fans are now purchasing your
books). This will also cause your partner authors’ books to start
appearing in the "also-boughts" listings of your book
pages. Such collective promotions are a win-win for you and your
author friends.
Although it’s helpful to orchestrate
that swarm of buying with your initial launch campaign, be sure to
also maintain some “rolling thunder” afterward, by which I mean
additional media interviews, blog interviews, and proactive promotion
effort."
How Amanda Hocking Did It
Practically, a combination of these two is the “guerilla
marketing” which Amanda Hocking stumbled into. Her own words on
this are here:
http://amandahocking.blogspot.com/2010/08/epic-tale-of-how-it-all-happened.HTML
What she actually did was this:
- - March (2008) - publishes "My Blood Approves"
through Lulu to Amazon- April - publishes that to Kindle,
publishes "Fate"
- May - publishes "Flutter"
-
June - discovers book bloggers and asks for reviews
- July -
publishes "Switched"
- August - publishes fourth book
in her vampire series ("Wisdom")
Takeaway:
1)
She's been writing and telling stories since she was able to
talk/write.
2) She had 17 books already rejected and took the
advice of agent's rejections to heart.
3) Did her own covers.
4)
Used other's platforms to promote her book on social channels.
5)
Published in a series, about a month apart. Broke this to release a
new book in a dis-related series, then came back to the
original.
6) per Wikipedia, published 8 books in her first
year. (She was writing a first draft in about 17 hours -
straight.) Since then, averaging about 2 books a year.
Point
is that she was releasing books about as fast as a person could read
them. And she mixed it up by shifting her series - publishing what
she considered her best work after 3 others. Then returned to the
original series. (The effect was throwing gasoline on an existing
fire.)
Key: She got others to do her social media
work. Hocking had no "platform" when she published
originally. This is similar to joint-venture (JV) affiliates who
mail to their list on your behalf. Her discovery line was in
getting the bloggers to recommend - so people went looking on
Amazon for her books directly.
She didn't apparently spend
any time seeking reviews - or even doing Kindle Select
free-day promotion, per this blog post. Nor doing what most other
people consider "required" for self-publishers.
The
bottom line is that there has developed some "conventional
wisdom" to self-publishing which isn't actually true - but will
keep writers very busy spending the bulk of their time "marketing".
Hocking's "platform" arrived after she was already
a star, along with her book site. Her (quality) book sales created
her platform.
If you dissect this and compare it to C.J. Lyons, you'll see they
are using the same basic pattern.
“
Discoverability” Issues
One of the interesting posts which resulted from a recent
conference, Digital Book World, was from the general “weeping,
wailing, and gnashing of teeth” by the legacy publishers about the
state of their business.
The key analysis was in a presentation from Peter Hildick-Smith of
the Codex Group. Here's where Laura Hazard Owen covers it:
http://paidcontent.org/2013/01/17/why-online-book-discovery-is-broken-and-how-to-fix-it/
(See the graphic on that page.)
The take-away was this:
Top converters:
Author Sites - 76%
Goodreads - 29%
Amazon - 10%
Top viewed:
Google - 72%
Amazon - 66%
Facebook/G+/etc. - 59%
Discovery Share (most recent book
purchased):
Amazon - 6.6%
Author Sites - 3.1%
Goodreads - 1.5%
When you track down where people got their last book from, we now
see where indie self-publishers should be spending their time and
marketing coins:
[Note:
this is all out of the time you aren't spending writing
your book – less than 50% of your day.]
Amazon - 50% (tweaking book
descriptions, etc.)
- 25% of your day.
Your own author site - 25% (set up and
then tweak)
- 12. 5% of your day.
Goodreads - 12.5% - (while you can be
present engaging on forums, your key point is your author page and
making sure your book is listed)
- .625% of your day.
G+, Facebook, Tumblr, etc. - 12.5% -
(yes, post helpful data, but watch for addiction..)
Another .625% of
your day
[Meaning that out of an 8-hour day:
4 are writing,
2 are checking sales tweaking your
Amazon books,
1 hour is checking analytics and
tweaking your own site.
30 minutes are checking Goodreads, and
30 minutes are on social media.
Do your own math.]
If you are looking for repeat business, this is where it shows up
and how to make it happen.
And in this - you see that the bulk of effective work is getting
people to actually talk to other people about your book. Means
intensely satisfied customers - which goes back to writing really,
really good books. (Not spending a great deal of time on social media
and begging for reviews.)
Making sure your book can be found by Google's and Amazon's
search engines.
That's something you can do, quite regardless of whether you have
a social following to “tweet” to.
When 77% are looking on Google, then this just points to having
both Google and Amazon keywords in your title. Amazon ranks well on
Google.
Again, this points to the techniques that Michael Alvear discusses
in his book. SEO-Amazon your book meta-data so the browsing can
happen.
These are all on-site actions you can take without any other
effort or cost – the kind we like.
- - - -
And that's really as simple as marketing a book is.
If you want more books on the subject, check out the Bibiography.
[Link]
Chapter 4 - Making Lemonade
Let's skewer some of these lemons I've been alluding to all this
time. (I really do suggest you get my book “Get Your Self Scam
Free” [link] - it would make dissecting these much faster.)
Social media will sell your books.
Not. Well, not enough to pay for all the time you have to use to
get them.
If you run an ad on your blog to sell your book, you'll have 3 out
of 1,000 people click on that ad.
(
http://www.imediaconnection.com/content/25781.asp
)
Ads have been getting worse and worse returns for years. But I run
book images on my site, don't I? Because why throw away those 3
people? As well, it encourages browsing – which is a good thing.
The people who are able to get a huge boost from social media are
those who already have established it. Like literally hundreds of
thousands of followers – even millions. Because roughly the same
percentages apply. 100,000 followers can give you 300 immediate
sales. And when Amazon's referral systems kick in, then you'll get
more people finding the book because it's a “bestseller”
However, as it's noted other places, this leaves the bulk of us
out of this loop. The only discussion I've seen from this is that
people are
hoping this kicks in.
When you see someone talking
exclusively about using social
media for marketing, you know they are some sort of “guru” who
already has tons of followers. As we'll cover later, their purpose
isn't to make a living selling books, it's to get
more
followers and adoration. Just the way it is.
Alvear covers this in more detail in his book. And I'm not trying
to convert anyone away from what they are doing on social media. It's
a lot of fun, after all.
But can you send out a tweet right now which will raise your book
sales?
Neither can I. Maybe some people. And it doesn't mean you won't
sell a few – but you won't be able to track that one tweet, or a
dozen made any difference. Same for any platform.
What you can do right now:
- Optimize your meta data so Amazon will allow your book to be
found.
- Get started on your next book and publish any you have
sitting around. Get that back-bench building.
- Make sure you have a site which is linked from your book so
people can go their and find out about your other books, as well as
sign up for your list.
Spending time getting reviews is worth it
Yes and no.
Hocking had success by getting the book bloggers to write about
her book.
Taleist survey says that top income earners made over 25% more if
they got the top reviewers in Amazon to write one for them.
Should you ask your relatives to post reviews about your book?
Maybe – chances are they'll be deleted.
(
http://jezebel.com/5971056/sorry-but-amazon-probably-wont-let-nana-review-your-e+novel-anymore
)
Should you swap reviews with other authors? Maybe – chances are
they'll be deleted.
(
http://www.wheatmark.com/blog/entry/authors-banned-from-writing-book-reviews-on-amazon)
And you have to ask yourself if the time you just spent on all
this should have been better spent on your next book.
That said, how about using your own site to give away books in
exchange for reviews (and an email address)?
http://authoritypublishing.com/ebooks-information-products/how-to-host-your-own-ebook-giveaway-without-amazon-kdp/
If you are going to find people to review your books, use this
guy's process:
http://www.openforum.com/articles/how-to-get-endless-amazon-reviews-for-your-book-or-product/
The basic problem with reviews is that it's an artificial system,
which is steadily being gamed. And that means Amazon has to react to
it to keep it “fair”. So they eliminate the more obvious ways to
do this, like unpaid reviews, relative's reviews, authors-in-the-same
niche reviews.
I've got a storify article coming out on this shortly [link] –
as soon as I finish writing this section.
Amazon started a good thing, but unless you have that magic number
of an average of 3.5 stars and your total number of reviews are .01
of your booksales, you know the system is being gamed.
You can still be an “instant success” with
KDP Select.
Not any more.
They had to change the algorithm on
how downloads counted compared to regular sales.
They had to crack down on phony
reviews (not too successfully, either.)
They had to change how the low-end
prices (like Locke) could get more sales and so rack up sales
numbers. Now it's weighted with price as well.
But yes, if you have a great book, it will get the extra exposure
it could use to get well known. The point is to give it a leg up.
Google does the same with new content. The great stuff rises like
cream.
I've even seen a couple of reports – one where a person did a
test of a book completely filled with non-sense text and 3 completely
fake 5 star reviews, and another where a book had only one download,
one sale, and no reviews – each got into that scene and showed up
temporarily high on the rankings for no real reason.
And that is what the Select process will do for an unknown book.
Now, the whole formula for this is to:
- Get your book on Select and nowhere else (best with a new
book that hasn't been anywhere else before).
- Submit it to the “big reviewers” on Amazon (as noted
above) so you get several decent reviews of it.
- Announce your free days a month in advance to several of the
free sites.
- On the day of the free days, hit up all the twitter ID's,
free announcement sites, and Facebook groups who have free book
groups.
- Continue to tweet and announce your free days as long as they
last – to your own mailing list and so on. Don't spam, but leave
no stone unturned. Block out time on your calendar - these are
early days and long ones.
- Most anecdotal data suggests to hold these free days together
as the momentum can surge. And do them at the end of a month, with a
paid day showing up on Saturday. This gives the Prime members a
chance to borrow it at the beginning of the month.
And if your other data (like SEOing your meta-data) is right, then
it should help out.
But the days of John Locke are over (thank gawd – and see below)
as their algorithms say you need higher prices to get the best
mileage out of their promotion.
KDP Select will help a book on Amazon, but again: there is no data
on what sales were missed on other platforms. Lindsay Buroker did her
own tests and concluded that the freebie seekers she attracted
weren't worth it any more.
(
http://www.lindsayburoker.com/amazon-kindle-sales/recent-amazon-algorithm-changes/)
While the first time she did it had great results, the recent
experience was so-so at best.
The burning question is:
did all that work replace how much
good writing on your next book you could have been doing during those
5 days?
How to Spot a Phony
There are a lot of ebooks out there about earning extra income
with ebooks. Most of them are garbage. I know, I've got about 50 of
them on my computer right now.
So if you are looking for a good book to buy which is actually
going to help you, there's some key points you might want to
consider.
In this, check over their description carefully, and also go
through their preview. Be a discerning buyer, even if it's free. You
should answer these questions for yourself:
- Can you immediately apply it with what you have or can get
easily?
- Does it match up with other data you have already proved to
yourself as workable?
- Is the author a celebrity?
When you read it, can you put it to use right now? There
are too many of these books which are full of nice material, but it's
all something “over there”. Or they want you to sign up another
course. Or a mailing list to get more information when the book
should have given you what you want.
The acid test that this book answers is whether you can start
right now, or do you need to pay someone to do something for you.
The whole point of self-publishing, to my mind, is that you are
for once barrier-free to succeed from the sweat of your own brow.
Much like Amanda Hocking did. When someone says you have to hire
someone to do your cover and someone else to do your copy-editing,
and then go out and pay for PR... About that time you see where the
money in “self-publishing” really is: hire yourself out as a
copyeditor or publicist. Quit trying to make an income from writing
itself. As in the other gold rushes – sell picks, shovels, pans,
and jeans to miners.
Does this data match up with other data you've already proved
for yourself? This is especially true in copywriting. All the
basics were known in the 1920's with “Scientific Advertising” by
Claude Hopkins. It can be proved to work by split-testing. That
someone is repeating the popular mantra's doesn't mean a thing.
Anyone can (and most do) repeat Amazon's advertising pitches. But
someone who does their own research will show up the contrary facts
and current holes in that system. Likewise, your own tests will show
whether you can apply what they are pitching.
Most of this universe (except for the man-made stuff) runs on
systems which can be understood and duplicated. Farmers are now
finding that when they farm with Nature, instead of trying to improve
on it, their yields are better and their costs are lower.
Temporarily, you can do some incredible things with individual plots
of land. However, these systems won't work for more than a few years
before the natural safeguards come back into play.
Governments are another man-made example of consistent failure. At
least half the country hates the person who is elected president,
cycle after cycle. And statistically, Congress has it's best approval
ratings when they get nothing done.
You know what works for you. Does what you're reading amplify or
add to what you know works. It can't be judged by how popular that
idea is, it has to be tested against actual results. Anyone can make
up a number on a sales “testimonial”.
Is the author a celebrity? By and of itself, this isn't a
bad thing. Providing that person is writing a memoir or perhaps a
book on how to act, how to direct, how to model, how to play sports,
or how to get a great following from social media. Something they've
actually done, and done lots of.
But if you want expert advice on how to publish a book, maybe you
want to listen to someone who has published a few dozen of them –
and has been doing it for years? Writing and publishing a single
ebook doesn't make you any sort of expert. And it will always show in
the book – which has gaping holes in it that you can fall through.
When I want to get advice on Internet Marketing, I go to people
who have been doing it since browsers were invented – not some of
these “big names” who are actually, as they say in Texas, “all
hat and no catttle.”
Sure, I've bought books by Ryan Diess and Joel Comm, who are
reputed to be these “guru's” of making money online. Both books
were pure crap as far as contributing anything valuable to the
knowledge of how to get a book to write, publishg, and sell your own
ebooks online. What they both did (and they say so in their books)
was to follow some system that allowed them to crank out a certain
amount of content which would fill a book. And they looked up what
they needed to find out from the Internet. Neither had ever published
a book before.
And guess what their motivation and advice was: “Anyone can make
money online. You just have to find where there is high demand and
low supply and write a how-to book using my system – oh, and put it
on Amazon KDP Select – then the money will just roll in.”
Neither had published a book before. Both were “celebrities”
in their field.
You might as well ask a movie star or a TV comedian to run for
political office. Oh – wait -- that's really happened...
But what about the guy who had a tremendous success and wants
to write a book on it?
Sure, that happens. And memoirs are great. As long as their
honest.
Let's take
John Locke.
(
http://storify.com/robertworstell/john-locke-the-asterisked-legacy-of-a-million-sell
)
Book title “How I sold a million books in 5 months” is false.
It took him 3 years to get up to that point. The title uses standard
hype which sells How-To books – inflated facts with numbers.
Locke claims that his paying $25,000 didn't help his booksales one
bit. But what he failed to admit until over a year later was that he
paid someone $1,000 to write 300 paid reviews for his books.
He says he does all this social media, and that is what he claims
“supports his audience”. And getting people to subscribe to his
blog made all the difference. But in that book he says he blogs
once
a month at best. Like 5 posts took him over the top?
The other point is that he was selling most of his books at .99
each – which makes for a lot of sales, regardless of whether they
read them or not. And the algorithms at that time were based on sheer
number of sales and downloads, not dollar-amount sold. Sure, today's
movies beat Gone With the Wind's box office records – but they've
never beat (well maybe one of the Star Wars series) the actual number
of people having seen an actual movie in a movie house.
Locke is a fake. Not because he can't write good books – but
because
he's profiting off people wanting to learn how to do it
and he's giving out bad data and lies.
The truth is that he wrote 9 books by the time he cracked a
million, and had them available for purchase. Later books got people
to buy his earlier ones. Especially at that price. The books had to
be good in order to get that much word of mouth going.
Amanda Hocking also became a million seller. And she actually got
her start in 5 months – but I don't know when she cracked a
million. Review the earlier section above and her linked blog post to
see how she did it. It wasn't just KDP Select, and it wasn't social
media. She published books about a month apart and got the book
bloggers to write about her stuff. Then the money started rolling in
and she went pro.
C. J. Lyons also cracked a million, as we covered earlier. What
does she credit? Damned Good Writing.
The difference between Hocking and Lyons – and Locke – is that
the first 2 didn't lie about how they did it.
Lyons and Hocking both blogged about it, and admitted their
mistakes. Locke wrote a book which continues to sell, continuing his
asterisked legacy.
I've included my research linked above – check it out for
yourself. This is just my opinion from sleuthing it all out. Your
mileage may vary.
Bottom line: Why did the person write the book?
If they are trying to get you into their mailing list to sell you
something, then they are just using ebooks for lead generation.
If they are using an ebook as a way to get you to watch all sorts
of special offers, which you have to click through, they are just
using sleazy Internet Marketing ploys as some sort of
affiliate-joint-venture-marketing scheme. (aka: scam.)
If they are just touting how great they are, they only want you as
a follower. They are a celebrity wannabe.
If it's an honest memoir about real life experiences, and you like
memoirs, then it's probably a good deal. (However one recent
politician was found to have written a “bestseller” memoir where
half the “facts” didn't occur and the persons in them were
composite, not actual. Caveat emptor. Helped get him millions and
elected to a high office, though. Sad.)
If someone had a breakthrough and is simply telling the fantastic
story of how all these chance occurrences fell together – it's
another memoir, even if written as a how-to.
An author who has cranked out tons of decent books deserves a
following and the money it brings. Stephen King, Isaac Asimov, Poul
Anderson.
Or an author who lives a life that he writes about – Louis
Bromfield “Malabar Farm”, or Henry David Thoreau “Walden” and
“On Civil Disobedience”, or Dorothea Brande “Becoming a Writer”
(she was a professional editor and taught writing classes) – these
people can be listened to. Particularly when someone Like King writes
a book “On Writing”, which is half memoir.
Where a person writes a book to get more consulting gigs as an
expert – that's perfectly fine. John Jantsch with his “Duct Tape
Marketing” is having a great career at this, from that first book.
Or taking a concept like “Chicken Soup for the Soul” and
expanding it into a whole brand which helps inspire and motivate all
sorts of people – that's great.
The rub for me is when a person tries to be an expert in an area
they don't really know, and haven't asked the pointed questions and
spent the time to find out the answers – then I get a bit rankled.
Their books have gaping holes (as I say again) which you could drive
a truck through.
But if you just want to get more speaking gigs, that's fine. Be
honest about it, however. Pretense is salt in the wound.
So that's my 2 cents. You probably already knew it. But it's my
book, so I can throw a rant in when I want. If you disagree, then put
a comment on one of my blogs or leave a scathing review. Your choice.
You can't say I'm not honest. And that is what I wish all authors
were – and hope all the authors you pick up to read are.
Summary
How to write a book:
Sit Butt In Chair.
Write Every Day.
Review, Revise Rewrite. (from C.J. Lyons and Stephen King)
How to publish a book:
Use what you have, starting where you are now.
Get it in front of as many eyeballs as possible.
How to sell your book:
Make it discoverable.
Ask some top reviewers and bloggers for their honest opinion.
Get your next book written and published so you build your
audience.
Above all else:
Follow your bliss.
Resources
Bibliography: [link]
About Richard Saunders:
Long-removed cousin of Benjamin Franklin, this alias is a pen name
for a celebrity who realized by the end of this book that he had
learned not to be a fake – at least not to try to be an expert in
an area he didn't really know. He is now working on his memoirs and a
how-to book on speaking.
About Robert C. Worstell:
A freelance researcher and blogger, he has published over 4 dozen
books on Lulu since 2006, most in the area of self-help. This book
was the result of research into how to get his books marketed.
Both may be contacted via the publisher, Midwest Journal Press
[link]
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